We have for our examination today the latest and greatest from those inscrutable minds at Rocket Boy and Native. Unfortunately this lady has no name, being that she is simply given the title OSHITSUKE; doubtless lowbrow observers will snicker at the phonology but true collectors are certainly possessed of more refined sensibilities. Her sobriquet is perhaps more properly rendered as Oshitsuke Musume, which means something like Pressing Girl, which of course is basically what she is doing, at least in one of her poses. We will just call her Oshitsuke today, which doesn’t really make much sense but it’s not our fault that Rocket Boy did not give her the dignity of a name.
I don’t think that this character has any background to speak of; I’m not even certain if the illustration preceded the conception of this figure. The supplied postcard has a monochrome sketch rather than a finished image, which is the first time I’ve seen such a thing. The artist is, of course, Ishikei, very well known for his highly detailed doujinshi. This is not the first figure that Native has based off of his work; the first was Chie, which came out so many years ago.
This figure is manufactured by Rocket Boy and distributed by Native. It’s sculpted in 1/6 scale and stands about 25.5 centimeters in height; note that the base is about two centimeters high itself so overall height is around 27.5 centimeters. This figure comes with two torsos allowing for two very different display configurations.
The first display mode is this one, which is obviously what gives Oshitsuke her name. She is depicted smashing her breasts up into this pane of transparent plastic, which is an amusing concept and will no doubt entice many collectors.
I doubt many people will notice this, but the way her little finger on her right hand is bent looks sort of painful. I don’t think that finger is supposed to be that flexible.
The view through the looking glass is actually fairly realistic, though perhaps not as appealing. Or maybe it is, I dunno.
The lewdness doesn’t stop there, though; a couple of plastic pieces representing dripping semen are provided. One fits snugly and inconspicuously into the cleft of her buttocks, being supported by both friction and her underwear. The other piece is meant to represent liquid dripping below her panties and I am not actually certain how it is affixed, which is why it’s not seen here.
But wait, there’s more! The other display option dispenses with the plastic window and frame – which aren’t all that visually compelling – and assigns the viewer’s focus solely to the figure. In this mode, Oshitsuke is posed leaning forward with her hands spreading herself wide. It’s obviously quite a captivating pose. Kudos to Rocket Box for sculpting both torsos with arms, rather than supplying removable arms with arm bands along the biceps to conceal the detachment points, as many manufacturers do.
Her back is strongly arched, maybe unrealistically so, as her leg and her neck and head are perpendicular to the ground in two different planes. Not that that is really an issue, though; the more salient critique is that her pose looks spectacular.
Indeed, the whole point of her pose is to enable a view of this, which really speaks for itself in terms of appeal. The detail is superlative for this sort of thing, as is plain to see. Note that the whole figure has a glossy finish – which is meant to mimic Ishikei’s style – and it may be that the gloss has pooled up a bit here, which results in a rather shiny anus.
Aside from the orifices themselves, the way that her hands are spreading herself are quite interesting.
Oshitsuke has a very attractive face, with the rounded eye shape and slightly puffed-out cheeks that are indicative of Ishikei’s style. I like how her expression doesn’t really convey a distinct emotion; there are a number of moods that a viewer could impute to her.
The sculpting is, of course, top notch. There’s little to complain about in this respect. Rocket Boy hasn’t been around for all that long but they’ve already proven themselves to be amongst the best figure makers in the business.
This is obviously a fantastic figure, one of the best I’ve purchased this year and one of the best that Native has ever been involved with. Indeed, it may be the best figure that Native has ever been involved with, though that is obviously entirely a matter of personal taste, and I haven’t actually reviewed their Gamer Girl figure from years back (further, I’ve never actually taken it out of its box). Everything about this figure is marvelous, as is readily observable. That Native and SkyTube continually attempt to out-do each other in terms of both quality and perversity is a godsend to figure collectors everywhere.
